#Theme of john berger ways of seeing professional#
Engaging in conversations with each work of art allowed me to dig deeper into the actual meaning, or what could be the actual meaning, of each work. John Berger Ways Of Seeing Essay, School Writing Essay, Ethical Issues In Nursing Homes, Warehouse Packer Job Description Resume is renowned as the global source for professional paper writing services at all academic levels. Taking Berger’s suggestions I decided to take two works of art and analyze them in order not to be mystified by them any longer. Having a “conversation” with the painting can allow us to think of things that we would not have thought of otherwise. Asking the right questions can reveal facts about the painting that one may not have known otherwise. Berger also discusses how traditionally paintings were a way for a person to display their wealth and all they. An image is a sight that has been recreated or reproduced. Becoming familiar withĪ painting requires that one submerges himself/herself in it and ask it questions. A QUICK ANALYSIS OF JOHN BERGER’S WAYS OF SEEING by Demeliou The whole book is based on the premise that the way we see things is affected by our knowledge and beliefs. The paintings may first appear as silent pieces but one can change this. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included the novel G., which won the Booker Prize in 1972.
What we make of that painted moment when it is before our eyes depends upon what we expect of art, and that in turn depends today upon how we have already experienced the meaning of paintings through reproductions. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. This has the effect of closing the distance in time between the painting of the picture and one’s own act of looking at is. Even a reproduction hung on a wall is not comparable in this respect for in the original the silence and stillness permeate the actual material, the paint, in which one follows the traces of the painter’s immediate gestures. Original paintings are silent and still in a sense that information never is. The original work speaks to you in a way that a reproduction is not able to. The information that comes from the silence of a painting is only truly experienced when looking at the original work rather than a reproduction of it. According to John Berger in his essay “Ways of Seeing” the way that a painting is viewed by some may already be distorted prior to analyzing it because we are not viewing the original piece.